28 DAYS LATER TITLE SEQUENCE
Using abstract analog footage, we aimed to capture the film’s underlying themes of infection and societal collapse while maintaining ambiguity.
In collaboration with Kylie La Tour-Telles and Ketric Petersen.
EXPERIMENTATION
Keeping our desired visual style in mind, we explored different methods of manipulating ink and water to obtain the footage. Utilizing a macro lens, we found that gritty and parasitic feeling, while water tank experiments evoked visuals of a quick moving, sinister mass.
TYPOGRAPHY
The texture and fluidity of scanography blended the digital type with the organic movements of ink.
STORYBOARDS
STYLE FRAMES/COMPOSITING TESTS
We knew blending differing footage would be a challenge of this piece, and tested how each element meshed together to direct the subsequent treatment of all assets.
FINAL DESIGN BOARD